sell my screenplay (read all 6 entries…)
Ben Stein, Earnie Hudson, Larry the Cable Guy, and Dane Cook 3 years ago

As I began to revise the script, I figured I also ought to tweak the strands of my network to see how I might market the thing.

A fellow I continue to work with knows and corresponds with Ben Stein, as well as with the director of “Must Love Dogs”. He will read and recommend the screenplay to them and see what doors open.

I went to film school with Ernie Hudson’s son, and met Ernie and the other Ghostbusters during production of GB2. I have sent Ernie an e-mail recently.

A cousin of mine worked on Delta Farce, a film in post-production starring Larry the Cable Guy. There’s a character in my script based on this persona, so I reached out to him.

The lead character in my script was based partially on Dane Cook, and so I sent him an e-mail about it via his website. That e-mail was forwarded to the producer of Dane’s first and second feature films and HE requested a copy of the screenplay last night!

Killer. I gotta put a quick polish on version 1.1 of the screenplay before sending it.

I got my Writers Guild of America, East registration number last week.



Comments:

SylandRic is woking on our next spec script

how is it going?

Hi InDeep!

I’ve read most of your post and I’m curious to know what happened! Did you get your script optioned or, even better, sold?

I’ve just contacted Dane cook through his website, as he would be perfect to play one the character of our last screenplay, and why not to produce it!

I am a newbie, I’m French (tough I write in English) and I live in Spain… all this doesn’t help.

I’d be glad to be in contact with you. Thanks for your feedback and good luck anyway.

Happy to get your message

Lots have happened since I wrote that last post.

I continued to network. Here’s who did what:

I sent the script to Dane Cook via his MySpace page. He forwarded my message to his Manager at New Wave Entertainment, who sent it to his assistant, who sent a reply to me, asking for my script. I submitted it an never got a response, though I called and spoke to a few people over the course of 5 months. That company went out of the filmmaking business to focus on what they do best: promotion.

I also left messages on MySpace for Maggie Gyllenhaal, Larry the Cable Guy, and Jeff Foxworthy, none of whom responded.

Ernie Hudson never responded, though I am getting back in touch with my friend, his son, after a lo-o-o-o-ng time.

A person I work with has a brother who is the VP of Marketing at Miramax, and through him I was able to submit my script to the VP of Creative Development. I followed up with her for about 3 months and ultimately never found out if the script was read or anything. Busy woman.

A family friend was the VP of Marketing for New Line Cinemas, before they went away, and she submitted my script to the folks in development. It got coverage from a reader – who trashed it.

A co-worker of mine attended focus group testing in beverly hills, in the same building as David Goyer’s production company (Blade, Batman…) and while it wasn’t a fit (mine’s a comedy), he said I could send it in for a read. He likely skimmed it and then went on with life.

I had a similar “in” at Warner Bros., but don’t know if it was ever read. I got no response.

I pitched my script at the Philadelphia International Film Festival and won. It doesn’t come with a development deal or a sale, it jut means mine was the best pitch and I got to work on the foundation of my next screenplay with a hollywood development executive through Writer’s Bootcamp. At that pitch, I made an impression on JC Spink, one of the principles at BenderSpink (A History of Violence, American Pie…) Ultimately, he “passed” on the script because he had a similar project already in development. But he knows my name and knows we like the same stuff. By the way, BenderSpink’s website (www.benderspink.com) provides the forms you need and openly accepts submissions.

I’m also held in high regard with the Philadelphia Film Office (I made a lot of high level friends during the Festival).

So, it appears I’m a better networker than writer. I’ve been able to build a robust contact list and get my stuff read where few people have.

I haven’t worked on Area 50 in a year, and I have my foundation work for my next screenplay ready to go when I have the time and energy to have at it.

Defintely consider becoming a regular at TheArtfulWriter.com where a lot of professional screenwriters spend time talking to eachother and to newbies on the discussion board, The Artful Forum. TheArtfulWriter is made and managed by Craig Maizin (Scary Movies, Shrek, others) and Ted Elliot (Pirates of the Carribean, others).

SylandRic is woking on our next spec script

Thank you so much for sharing

Wow! Impressive networking! If you’re that good at it, you might consider to become an agent!
I want to sincerely thank you for taking the time to share your experience.

Myself, I’ve just started to contact producers & agents almost exclusively through the web. I sent 11 query letters to agents by snail mail. I’m not excepting too much as I’m a new writer.

I guess you know about the websites where one can find calls for screenplays, like:
www.hollywoodlitsales.com
www.scriptologist.com
www.afilmwriter.com
http://en.scriptboulevard.com (not that famous but one can post his work for free)

Thanks for the tip about BenderSpink. I’ve contacted them too.

Keep on writing!

Query Letters

DoneDealPro.com is a website about a piece of screenwriting software – I don’t use it – but it has a very active discussion board about query letters and cold calls. You might find tips there that help you get the requests your screenplay deserves.

Happy hunting! Thank me in your acceptance speech!

DAN


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