Dave in Connecticut is doing 38 things including…

read and discuss cutting-edge fiction with other 43T'ers

4 cheers

 

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Dave has written 2 entries about this goal

A new version of poetry

So here’s a thought.

Many of our modern poetic traditions can be traced back to the Skaldic poetry of the Norse. No really; quit laughing.

One key concept behind Norse poetry was the kenning or the word-pairs used to represent something in the story in a way more elegant than the usual prosaic words. Of course these kennings were meaningless out of context; you needed to know, for example, that “blood worm” really meant sword, by general poetic convention. As the years passed, these kennings got more and more involved and esoteric.

Today, we still have these very elaborate literary allusions and metaphors, based on the current collective knowledge of our poetic history. This creates a barrier to entry for those casual readers of poetry which, by the way, make up 99.95% of the audience. It leaves us with these poems that are so cryptic and unapproachable that many people are turned off by poetry entirely; increasingly, good poets will even eschew them in the hopes of making their poetry more accessible by the general public.

Enter the internet and hypertext.

Why not write poetry in the true “high poetry” tradition, with all the Greek gods and literary references, even psychobabble if we want, and put in hyper links to the Wikipedia entry that explains that particular phrase. This would make the poetry accessible through the click of a button, yet still be readable in its pure presentation. It’s like having the author write the cliff notes and publish them with the work…



the cutting edge

I’ve acquired a new goal, so it needs to go in my list, right?

My writer’s club has had a running discussion on fiction as an art form, and the direction that modern fiction is moving in the 21st century.

Is J.K. Rowling and Oprah Winfrey’s Reading list the cutting edge of fiction?

Or is it the new culturally oriented works like “Dreaming in Cuban” or “the Kite Runner”, where we tell new stories in new ways?

Or is the form itself stale, and we need to think about non-linear plot prgression or hypertext, to see new art in fiction?

Or is the cutting edge to be found in artistic fusion with other media, such as the graphic novel?

And what of language itself? Should we be writing in spoken English, rather than in this stilted, formal English that no one speaks but which we all write?

I’d love to explore these thoughts, exchange ideas, and get new directions and reading assignments from others who are pondering the same questions.



Dave has gotten 4 cheers on this goal.

 

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