I’ve come to realise that (her) mood and emotion are vastly important, and I understand tension and anticipation much more now.
From here I think I just need to practice often and that doesn’t seem too bad.
I’ve come to realise that (her) mood and emotion are vastly important, and I understand tension and anticipation much more now.
From here I think I just need to practice often and that doesn’t seem too bad.
V’ir orra rkcybevat gur vafvqrf bs zl tveysevraq, naq V abj unir n zhpu pyrnere cvpgher bs ubj vg nyy svgf gbtrgure. V’ir sbhaq guvf cvpgher va Tenl’f Nangbzl hfrshy, abg n fhofgvghgr sbe rkcrevrapr, ohg V’z fgvyy yrneavat snfg :-).
V’ir abg lrg sbhaq gur T-Fcbg rkprcg ol nppvqrag, srryvat nyy nebhaq gung hccre jnyy va orgjrra chovp obar naq preivk. V’z nyfb n ovg inthr nobhg juvpu nernf ner areibhfyl qrafr. Abg fher jung gb qb nobhg gung, fvapr V unira’g tbg n intvan.
I’ve been playing with different kisses recently, trying to expand my kissing-vocabulary (basiary?). I’ve added tongue sucking, tongue biting, licking roof-of-mouth, butterfly-flickering with eyelashes, and snake-like flickering. We tried other stuff that wasn’t very good, can’t even remember what.
she enjoyed that. I’m not very good at brining her to orgasm, and I suspect that it’s mostly what’s left out rather than what’s put in. Suspense, anticipation, unpredictability perhaps.
Save the rhythmic parts till the end.