This is my goal date to start a writing group.
I have quite a few decisions to make by then. The first one will be whether this is a class that I charge for and then lead as a teacher—or a workshop of peers where I am a facilitator.
I need money, that is true, but I always have issues with charging money for things like that. I have trouble making mysel the authority- well, no not really. I have no problem with giving my expertise away for free, but I struggle with feeling like my knowledge and experience is worth anyone paying money for. Silly hang ups.
Another question is how to incorporate the mom-status into this thing. Where do the kids go? What are they doing? I just had the idea that if I hook up with another mom, we can do a kids class at the same time. Mom/kid creativity. Is this making it way too complicated?
Maybe it should just be a workshop for moms. Do it at night at some bar or cafe, when we can get the papas to take the baby shift.
Again, there’s the question, should I charge money??? I feel like I shouldn’t, but there’s a lot of time that goes into coming up with a ‘curriculum’, exercises, critiquing people’s work, and so on. Why shouldn’t I be paid for my time? And then, people have a tendency to take things more seriously when they have to pay for them. They are less likely to blow them off, more likely to show up consistently, more likely to do the tasks and assignments. If it were just a free, get together kindn of workshop, there is the risk that it would become a gab fest or bitch session or therapy.
I’m just imagining all the people here in the neighborhood. They seem like such authorities themselves. My insecurity asks why I have a right to put myself over them and ask for money when they could just do it themselves.
Ahh… but can they? I am a good teacher. I have a masters degree in it. I have been writing for 20 years. True, I don’t have a masters degree in writing, no MFA here, but I have pretty much done so much work on learning about writing that I got one on my own—minus the connections, the nice shiny degree, and the cost. Other people who have taken my writing and creativity workshops have gotten a whole lot out of them, both teenagers and adults.
Dammit. Now I’m thinking about how I should apply for a job teaching poetry to teens online, but I know I need to publish. Why haven’t I worked harder on publishing my poetry? I’m a coward, that’s why. Now I’m still behind on my career because I keep ignoring the publishing aspect.