Sissy in Texas is doing 17 things including…

Read 50 books in 2009.

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Sissy has written 44 entries about this goal

#50 1 month ago

Be With You by Takuji Ichikawa

I haven`t written a real review yet since I`m busy and stressed out (when I have time I’ll write one!). I loved this book! (4/5) Just as other reviewers say, it is very sentimental…but I love it that way…and it made me cry. D:
It`s nice to read something without violence or evil, as the author describes it…it may not make the reader think about big pictures/issues, but it reminds the reader to appreciate simple pleasures and the beauty of being able to love others. And that`s important, too.



#49 2 months ago

The Old Man and the Sea

Author: Ernest Hemingway
Review: October 01, 2009
Edition: 1995 printing (0-684-80122-1)
Pages: 127
Overall Rating: 4/5 [Good]
Synopsis: An old fisherman having gone an unlucky amount of time without catching anything decides to pursue a fortune; thus he goes out to sea, further than any of the other fisherman, to make his greatest catch.
Strengths: Consistent writing, thoughtful.
Weaknesses: N/A.
Further Review: I’ve always loved the flavor of this story; it’s different from many of the other classics introduced in high school English, which made it stick out for me when I was younger. It’s a very introverted novel rather than a story of society, and this makes the experience valuable to me, personally. The prose is accessible; it’s very clean and very precise, but somehow still pretty with a comfortable rhythm, and despite the use of ordinary words there is something poignant in the presentation. Even though it’s been six or seven years since I last read this book, I very vividly remember the old man Santiago’s dreams of the African coast and the lions. Although there are more intensely or more beautifully written scenes, these few paragraphs have stayed with me for quite a long time (although I cannot pinpoint why!). Perhaps it’s just that he remembers the coast so clearly himself, or perhaps while I could never understand any symbolic meaning behind Africa (perhaps there is nothing more to it than a sentimental attachment?).

He was asleep in a short time and he dreamed of Africa when he was a boy and the long golden beaches and the white beaches, so white they hurt your eyes, and the high capes and the great brown mountains. He lived along that coast now every night and in his dreams he heard the surf roar and saw the native boats come riding through. He smelled the tar and oakum of the deck as he slept and he smelled the smell of Africa that the land breeze brought at morning.

Even in its simplicity, there is clearly a strong, underlying theme going on that is applicable to respectfully doing one’s work—-that we must succeed and do well because we must be as noble as the work we are performing, because it’s what we’re born to do, because it is just what we do. The old man does not necessarily understand why he feels so connected with his fish, whether or not he has sinned in killing it, and his thoughts shift from these unanswerable questions back to the act of his work.

I do somewhat prefer Hemingway’s short stories overall; in some ways this book feels like an over-extended short story itself, primarily in the execution of its focus; although The Old Man and the Sea does qualify as a novella (a format I’m ill-apt to judge, to be honest…), so perhaps this plays in some. Overall, this is a beautiful, bittersweet story the emphasizes the journey over the destination, the importance of being present in each moment rather than giving in to defeat, which I will probably revisit a few more times in my life!
... I am glad we do not have to try to kill the stars.


#48 2 months ago

Kairos: A Wind in the Door

Author: Madeleine L’Engle
Review: September 30, 2009
Edition: Copyright 1973 (0-374-38443-6)
Pages: 211
Overall Rating: 3/5 [Average-Good]
Synopsis: Meg’s youngest brother Charles Wallace struggles to be himself at school without finding trouble, and to make things worse he is now also deathly sick. Meg and her friends Calvin, “Progo” the cherubim, and Sporos the “farandola” now must discover the source of the illness.
Strengths: Interesting concepts, consistent characters.
Weaknesses: Occasional writing quality problems.
Further Review: A Wind in the Door was, when I was younger, always my favorite of this series because at that time it always seemed somewhat surreal to me; unfortunately, I did not like it quite as much on this read-through. In re-reading this, I did get a little frustrated with Meg’s persistent and repetitious questions since she comes across as so obstinately wanting to make the worst of things that it ends up making the reading drag a bit, but she as well as the other characters of the book remain consistently themselves. The writing occasionally slips, not in description because Madeleine L’Engle’s ideas for the story are always presented very clearly, but in dialogue; for example, there are times when the character Calvin will be present but not interacting at all, almost as if he’s been forgotten. Also, this book tends to be very [for want of a better word] sappy, almost annoyingly so. Otherwise, the story is smoothly expressed and L’Engle has a very clear idea of every scene, of every character, in the book, and that is conveyed well to the reader.

Yes. Charles Wallace’s drive of dragons was a single creature, although Meg was not at all surprised that Charles Wallace had confused this fierce, wild being with dragons. She had the feeling that she never saw all of it at once, and which of all the eyes could she meet? merry eyes, wise eyes, ferocious eyes, kitten eyes, dragon eyes, opening and closing, looking at her, looking at Charles Wallace and Calvin and the strange tall man. And wings, wings in constant motion, covering and uncovering the eyes. When the wings were spread out they had a span of at least ten feet, and when they were all folded in, the creature resembled a misty, feathery sphere. Little spurts of flame and smoke spouted up between the wings; it could certainly start a grass fire if it weren’t careful. Meg did not wonder that Charles Wallace had not approached it.
Again the tall stranger reassure them. “He won’t hurt you.” The stranger was dark, dark as night and tall as a tree, and there was something in the repose of his body, the quiet of his voice, which drove away fear.

The themes of this book, like A Wrinkle in Time, are ones that benefit young adults as well as grown-ups. While the major moral is to stay true to oneself and to know and accept oneself while learning to adapt to new situations, there are other messages as well including leadership and community/connection. There is encouragement to take control and have faith in oneself (a theme also present in the former book); as well as the importance of being together, expressed here via “kything,” which allows characters to communicate without words and despite proximity. One of my favorite themes, however, is the reminder to remain optimistic despite how bad things are—-that is, one should not allow the enormity of terrible things overwhelm one’s basic sense of goodness.
“There are still stars which move in ordered and beautiful rhythm. There are still people in this world who keep promises. Even little ones, like your cooking stew over your Bunsen burner. You may be in the middle of an experiment, but you still remember to feed your family. That’s enough to keep my heart optimistic, no matter how pessimistic my mind. ...”

There is an interesting article (located here) that discusses the state of the science behind this book at the time it was written, showing how much L’Engle speculated and how much was actually known at the time. I find it interesting, too, that it wasn’t until twenty years after the publication of this book that the first diseases in mitochondria were proven to exist, according to the article!



#47 2 months ago

Love Walked In

Review: September 29, 2009
Edition: 2006 printing (0-452-28789-8)
Pages: 307
Overall Rating: 4/5 [Good]
Synopsis: Cornelia is falling in love with Martin Grace, a man who seems straight from a classic 40s romance film: he’s elegant, charming, handsome, and witty. But his emotional distance worries her, and as she sets about figuring him out, in comes eleven year old Clare—-his daughter, whom he rarely sees and who has just been abandoned by her beautiful but flighty mother. While Cornelia’s relationship with Martin struggles, she warms up to Clare and takes her into her life.
Strengths: Beautiful writing, well-written main characters.
Weaknesses: Sometimes odd pacing, occasionally repetitive, minor plot problems.
Further Review: My favorite part of this book is the poetic and readable way in which it’s written. There are plenty of little paragraphs in the book that are really very pretty, and it’s my belief that if another author had written this I wouldn’t have enjoyed it at all. The beauty of the style is that it’s simple and stylish by its greatest parts, and then it’s spotted with occasional descriptions or particular wordings that just ring out beautifully or have some nicely unique flavor to them, so that they stay with the reader for a long time—-this is so much more interesting than books that are overdone, because it highlights the beauty of certain passages.

We talked and talked and talked. Maybe love comes in at the eyes, but not nearly as much as it comes in at the ears, at least in my experience. As we talked, lights flicked on inside my head; by the end of the night, I was a planetarium.

Clare and Cornelia, the two main characters, are well-nuanced and have a reasonable depth to them; they aren’t blindly lifted out of stereotypes, but have believable quirks. I really enjoyed reading about them and watching their relationship take shape. Unfortunately, other characters aren’t as well-developed and often seem flat; Martin Grace, for instance, feels like a cop-out and his whole story feels like a cop-out designed to aid the relationship between Clare and Cornelia. Teo also feels generic, as does Cornelia’s friend Linny. Although they’re one-dimensional, the characters are still pleasant and likable enough (except for Martin), and Cornelia’s mother Ellie is actually my favorite character from the book.

The plot, while interesting, does not quite live up to its potential; late into the book, it begins to feel unnatural and it becomes solely a vehicle for the characters. This creates a lot of scenes where what happens to side characters feels forced or unreal, existing only to get the characters somewhere. I suppose what I’m trying to express it that it can be a little deus ex machina—-it feels more like things are randomly put in there to move the story along, rather than characters behaving in a reactionary manner to what’s happening to them. That said, it picks up again in the last few chapters, and the ending is satisfying. I’ll admit that, like the girl I am, I was crying by the last pages.

As a side note, Marisa de los Santos also has a reading guide up on her website (available here) in which she answers a few questions on the book.



#46 2 months ago

The Vizier’s Second Daughter

Author: Robert F. Young
Review: September 24, 2009
Edition: Copyright 1985
Pages: 203
Overall Rating: 3/5 [Average-Good]
Synopsis: Mark Billings has an assignment: “borrow” Sheherazade (narrator of The Thousand and One Nights) from the past and bring her to the present. Unfortunately, he kidnaps the wrong girl- Sheherazade’s younger sister Dunyzad- and they both find themselves lost in the land of Jinn.
Strengths: Fun adventure, straight-forward telling, interesting myth basis.
Weaknesses: Simplistic writing.
Further Review: This is a fun fantasy adventure book, the kind where the reader is best suited by turning off the brain and just enjoying the ride. This particular novel also has the added bonus of being based on Arabic myth rather than the more familiar Western myths (particularly psuedo-Celtic). I think I would have benefited more by having known The Thousand and One Nights, since the chapters of the book are more or less based on these stories. Still, even with a limited knowledge of the tales, it’s an entertaining and very brief, light read with a good ending.

Suddenly she seized his arm and pointed across the lake. “Look, Bill—-a Jinni!”
He looked in the direction she was pointing but all he saw was what appeared to be a whirling pillar of sand. He said as much. “But how can sand whirl,” Dunyzad asked, “when there is no wind? No, it is a Jinni. And an evil one, too, I think. An ‘Efrit at least. Perhaps even a Marid.”

Unfortunately, most of the writing is rather simplistic and doesn’t inspire much imagination. Also, the presence of the Jinn and other magical creatures of the book are given an explanation that’s unsatisfactory at best; it may have been better to leave the origin of the Jinn alone.

The characters (expectedly for the size and type of novel) lack depth but make up for it by being good adventure heroes. I particularly like Dunny, she is one of the rare fantasy heroines who is not only sassy but can actually back up her personality. She’s legitimately a fun character rather than a pompous or over-reaching one.



#45 2 months ago

League of Peoples: Radiant

Author: James Alan Gardner
Review: September 23, 2009
Edition: 2005 printing
Pages: 404
Overall Rating: 4/5 [Good]
Synopsis: Youn Suu is an untested member of the “Explorer Corps”—-the group of people who, in our interstellar future, are seen as expendable and therefore used for dangerous tasks. This job leads her to become host to a parasitic alien life form as well as lands her on a dangerous planet where one race’s desire for evolutionary “ascension” has created a deadly and hellish existence for its inhabitants.
Strengths: Interesting and believable characters, strong action plot, unique concepts.
Weaknesses: A bit predictable, a bit repetitive.
Further Review: This book is surprisingly sensitive for a sci-fi, even more than previous stories in this series. Youn Suu is really believable and her growth is exceptional. She comes into the world with family problems: bioengineering goes wrong and leaves her beautiful, strong, smart, and capable…with the problem of a festering cheek that never heals, which puts her at odds with the mother who designed the birth. She grows up lonely, finding solace in her religion as well as ub crafting tiny figurines of princes and princesses trapped in their own palaces. As a reader, I became sympathetic to what she is feeling; although there is so much humor in Gardner’s book, he manages to flesh out Youn Suu’s feelings precisely and humanly, therefore giving it a very well-rounded feeling. Youn Suu, only nineteen (and I believe this makes her the youngest hero of his books?), faces challenges not in a stereotypical way, but in a responsive way that pulls details out of her personal history; the way she feels events is shaped by her upbringing and her religion as well as her age.

I thought I would die from loneliness—-not the sharp, aching kind but the dull, ongoing blur. It can feel like fatigue that never goes away; it can feel like dissatisfaction with everything around you; it can even feel like lust, as you lie alone in the dark and pretend someone else is there.
But it’s loneliness. Deep, helpless, hopeless.

This book is far from whiny—-most of the time Youn Suu grits her teeth and gets to work, no matter what happens to her…and a lot happens, in a built-up, consequential way (the idea of karma is influential to the book). On top of her relationship with her mother and her lack of friends, she also becomes a carrier to an alien parasite that slowly overtakes her body and mind, and allows her to know exactly when she’s losing her humanity.
What caught up with me was my life. The whole of it. The isolation of a childhood as Ugly Screaming Stink-Girl. The unfairness of being forced into the Explorer Corps. The loneliness of months on a starship with nothing but a lunatic partner, a collection of amateurish figurines, and a crew of thirty-five people who couldn’t look me in the face but constantly stole sidelong glances.
I should have been somebody else. Not an Explorer, not a virgin, not an alien parasite’s host. I was only nineteen. I should have had a future; I should have had a past; but I had neither.

One of the best things about this book is Gardner’s ability to capture people and their relationships. Everyone is absurd, but somehow extremely human. This is something I find recurring in his writing and is refreshing when so many novels only seem to show one side of a person, rather than how they act among others and how ridiculous humans can be…even affectionately ridiculous. Even in a world of advanced science and space travel, people will be people:
[...] A moment later, she said, “You pray too, Ma Youn. Maybe the spirits will heal your cheek.”
“They aren’t spirits, Mother. They’re aliens.”
“They’re smart aliens with advanced technology. That makes them better than spirits. Show them respect, and maybe they’ll help you.”
“These are jost holos, Mother. The Fuentes aren’t really here.”
“You never know, they could be listening. Maybe standing right beside you, but invisible.”
“The Fuentes have better ways to pass the time than lurking in one of our temples. They’re higher beings, Mother. They must…”
I stopped—-because the holo in front of us had just become tangible. Not just a lighting effect, but an actual mound of jelly: shining UV/purple. [...]

Ultimately, although there is tons of action in this book and lots of things to keep a sci-fi reader interested (including alien biology that allows our heroes to face several dinosaurs in battle!) and plenty of quirky humor to make it an easy and fun read, this story is mostly about Youn Suu and how she adapts to the changes caused by her situation, and her struggle to attain personal peace.

This book also examines western and eastern heroes from the perspective of Youn Suu’s Buddhist beliefs.

The only thing I find exceptionally disappointing in this book is the final involvement of the League of Peoples—-they have far more presence in this book, become predictable, and really are unsatisfactory. Furthermore, the manner in which they play into this book…does this mean that Radiant is indeed the final novel in this series? I wish not…



#44 2 months ago

Kairos: A Wrinkle in Time

Author: Madeleine L’Engle
Review: September 20, 2009 (reread)
Edition: 1976 printing
Pages: 198
Overall Rating: 4/5 [Good]
Synopsis: Meg and her younger brother Charles Wallace, with the help of their new friend Calvin, must reach across time and space to their father in order to save him from a dark evil.
Strengths: Imaginative concepts, consistent and well-written characters, well-addressed themes and issues.
Weaknesses: Sometimes repetitive.
Further Review: This book was always important to me in my childhood; I used to check it and its sequels out from the library over and over again until I had portions of the series memorized by heart. Still, it’s been over a decade since I’ve read this novel so I wasn’t sure what the experience would be like now. Fortunately, I still find this an amazing read; I may be older, but I certainly still find myself connecting with each of the characters, their situations, and the timeless messages presented in this book.

Her mother carefully turned over four slices of French toast, then said in a steady voice, “No, Meg. Don’t hope it was a dream. I don’t understand it any more than you do, but one thing I’ve learned is that you don’t have to understand things for them to be. ...”

A lot of the little bits of wisdom in this book are surprising to me, not because of their novelty but because I’m learning how much this series of books influenced the way I thought at the time, and how I explicitly think now. Many of these lines also make me wish that more people my age would read these novels now, whether or not they had ever nurtured in an interest in them in the past; so much of this wisdom is definitely lacking in the way people live today.

Aside from this, the characters are surprisingly believable for YA fiction. I have the trouble with YA fiction that characters become one-dimensional, not because of poor writing skills on an author’s part because YA tries to reach its audience in a much different way than adult fiction does. However, the characters here have strong personalities and beliefs. Calvin, for instance, has this to say about his mother and family:
He clenched his fists. “But I love her. That’s the funny part of it. I love them all, and they don’t give a hoot about me. Maybe that’s why I call them when I’m not going to be home. Because I care. Nobody else does. You don’t know how lucky you are to be loved.”

Although Calvin’s family life is wanting for affection, he very humanly continues to love his mother and siblings while also struggling to accept the way reality is. Furthermore, his situation shows the nature of love; we do not love people because they love us back.The characters in these books are varied enough to give different types of readers an “icon” character to follow. For this reason, this series manages to have something for a wide audience of young readers while not becoming over-reaching or shallow.
For a moment her brain reeled with confusion. Then came a moment of blazing truth. “No!” she cried triumphantly. “Like and equal are not the same thing at all!”

This quote best describes the main message of the book, and is a healthy one for young adult readers to encounter—-we may be different, but we are not unequal because of this.


#43 2 months ago

The Weight of Glory

Author: CS Lewis
Review: September 18, 2009
Edition: 2000 printing
Pages: 192
Overall Rating: 5/5 [Great]
Synopsis: A collection of address that CS Lewis gave [mostly] to university and college students on the topic of Christianity and how it applies to daily life.
Strengths: Approachable writing, broad range of topics, very insightful/helpful.
Weaknesses: N/A.
Further Review: These conversational addresses provide the reader with Lewis’ meditations on several different topics of Christianity.
The Weight of Glory—The first of these topics, from which the collection draws its title, discusses the promises made to us in the Bible, with special attention paid to the idea of being with God and that of glory. Lewis discusses the Biblical meaning of the word glory as being acknowledgment from God rather than being uniquely famous. My favorite part of this discussion, however, is how Lewis stresses the importance of loving one’s neighbor, not just because we are told to do so but because each person around us is as close as we can get to holiness on earth outside of the Sacrament. These explanations changed what I thought of the word “glory” for the better.

Apparently, then, our lifelong nostalgia, our longing to be reunited with something in the universe from which we now feel cut off, to be on the inside of some door which we have always seen from the outside, is no mere neurotic fancy, but the truest index of our real situation. And to be at last summoned inside would be both glory and honour beyond all our merits and also the healing of that old ache.

Learning in War-Time—The second address concerns the morality of being a student (or a learner) during the war (WWII), discussing the validity of culture in comparison to human nature. Essentially Lewis says that when we devote our lives to some duty, it’s not that we cease doing or thinking about everything else in our lives but, instead, we are doing something worth dying for, not living for. In other words, there is a difference between whole-hearted duty and obsession.
To be ignorant and simple now- not to be able to meet the enemies on their own ground- would be to throw down our weapons, and to betray our uneducated brethren who have, under God, no defence but us against the intellectual attacks of the heathen. Good philosophy must exist, if for no other reason, because bad philosophy needs to be answered.

In this chapter he also speaks of the importance of continuing to pursue knowledge and culture, because if we as humans wait until we are safe and secure, we will never get a chance to pursue these things. Actually, my favorite part of this section comes not with the quote I left above, but later on in the section as Lewis provides strategies for succeeding in the scholar’s vocation while there is a war on, although these strategies are all perfectly applicable to daily life. In his guard against frustration, I find exactly my life’s philosophy written out much more eloquently and meaningfully than I could execute it, and it’s really uplifting to know I’ve been on the right track, or the right track according to CS Lewis (whom I will admit was far smarter than I am!) . In short, it says to treat our long term goals somewhat lightly, but live more absorbed in the day. That is, do not invest everything in the future. “It is only our daily bread that we are encouraged to ask for. The present is the only time in which any duty can be done or any grace received.”

Why I Am Not a Pacifist—The third address details CS Lewis’ reasons for not being a pacifist considering World War II. Instead of examining WWII specifically, he approaches from another angle: morality, and how we ought to judge right and wrong in the same method of discerning truth and falsehood. He provides argument by selecting each of the reasons a person would become pacifist, and explains why that belief does not apply to him. While this writing is thought-provoking, to me it isn’t as profound as the previous two works.

Transposition – In this address, Lewis explains his theory of transposition- the act of using something intended for a higher medium (eg., a piece for an orchestra) on a lower medium (eg., to play that piece on only a piano) to describe spiritual sensations, and why, though they are beyond our means truly, we experience them in familiar fashion. Shortly he’s saying that what we feel is something from a higher source being interpreted by a lesser source, so that until we arrive at Heaven we will not know entirely what it is like, only symbolically through the natural methods we now have.

Is Theology Poetry?—Here, Lewis shows that Christianity does not attract members by being poetic; that if this were the case, there are other religions that are far more poetic in the traditional sense, particularly in comparing with European mythologies. He also includes his thoughts on science and religion, and how Christianity can encompass not only science but art, morality, etc. while science can not encompass these things, even itself.
The contemplation of what we take to be real is always, I think, in tolerably sensitive minds, attended with a certain sort of aesthetic satisfaction—-a sort which depends precisely on its supposed reality. There is a dignity and poignancy in the bare fact that a thing exists.

Theology is, in this sense, poetry to me because I believe it; I do not believe it because it is poetry.


The Inner Ring—This address is a bit different than the others, being less on some aspect of Christian theology. Instead, Lewis talks about “inner circles,” or cliquish behavior, and how this has the tendency to become fulfilling if one lives his life nurturing only a desire to be on the “inside” of some clique without regard to the group’s integrity or purpose. He goes on to say that friendship is an example of this sort of behavior done properly, and that cliquish desire is itself not bad, but only when it becomes an obsession to belong rather than to pursue one’s interests with like-minded individuals.

Membership— Lewis here discusses how modern life has become extremely public and crowded, and the paradox that religion is, in the modern world, meant to be reserved only for private life. He goes onto to describe the fallacy to give in to either collectivism or individualism, saying that we are separate organs of Christ who exist in that Body, and that only by submitting to that purpose can we approach what is asked of us. He also explores the origin of the word “membership,” that initially it refers to an organ of a body and not a “unit” in an organization.
We live, in fact, in a world starved for solitude, silence, and privacy, and therefore starved for meditation and true friendship.

[...] If you subtract any one member, you have not simply reduced the family in number; you have inflicted an injury on its structure. Its unity is a unity of unlikes, almost of incommensurables.

It was not for societies or states that Christ died, but for men.


I find this particular work a little bit confusing, and would have liked more detail on Lewis’ thoughts on this.

On Forgiveness—Lewis describes the importance of forgiveness. He explains the difference between excusing and forgiving, and how, Biblically, we must forgive the sins done against us to be truly repentant before God.
A great deal of our anxiety to make excuses comes from not really believing in [the forgiveness of sins], from thinking that God will not take us to Himself again unless He is satisfied that some sort of case can be made out in our favour. But that would not be forgiveness at all. Real forgiveness means looking steadily at the sin, the sin that is left over without any excuse, after all allowances have been made, and seeing it in all its horror, dirt, meanness, and malice, and nevertheless being wholly reconciled to the man who has done it. That, and only that, is forgiveness, and that we can always have from God if we ask for it.

A Slip of the Tongue—In his last sermon, printed here, Lewis talks about the importance of submitting fully to God and not being reluctant to pursue Him. For his argument he mainly uses the human desire for “temporal” things, such things that, once we enter into the kingdom of God (or are rejected from it) will no longer hold importance, but which we try to guard in our earthly lives anyway.

[In case my review of this book is not enough, another more thorough one can be found here via the Into the Wardrobe website.]



#42 2 months ago

The Complete Tales of Beatrix Potter

Author: Beatrix Potter
Review: September 18, 2009
Edition: 1989 printing
Pages: 383
Overall Rating: 4/5 [Good]
Synopsis: A collection of children’s stories and rhymes accompanied by illustrations and paintings.
Strengths: Beautiful artwork, interconnection of world, consistently written.
Weaknesses: A bit uneventful.
Further Review: Currently I’m sorting through my books for children and young adults and evaluating them; since I no longer read these books, I’m basically deciding which I want to keep and share with my own future children, and which I do not. The Complete Tales of Beatrix Potter is definitely one I’ll be keeping to share. While the stories themselves are rather ordinary in terms of plot, the illustrations are beautiful and the characters are generally pleasant (and those who are not typically meet the consequences of their actions). Overall, this is a nice collection of peaceful, sweet stories.

This edition in particular is a good one, because it’s well-printed and it also includes a small history of each story.
The Tale of Peter Rabbit—Beatrix Potter’s most famous story, surely. This shares the adventure of Peter Rabbit, whose risky adventure into a garden leads to trouble.
The Tale of Squirrel Nutkin—Squirrel Nutkin is [unsurprisingly] a squirrel with no manners, who delights in teasing an owl.
The Tailor of Gloucester—The tailor of Gloucester needs to make a coat for the mayor for his wedding, but falls ill too soon to finish it. Luckily he’s to receive the help of some friendly mice. This has quite a true ring to traditional fairy tales.
The Tale of Benjamin Bunny—Peter Rabbit and his cousin Benjamin Bunny return to McGregor’s farm. This is unfortunately a rather forgettable story.
The Tale of Two Bad Mice—Two mice, Hunca Munca and Tom Thumb, break into and trash a doll’s house.
The Tale of Mrs. Tiggy-Winkle—Lucie, a small girl, searches around for her lost items and meets a kindly hedgehog named Mrs. Tiggy-Winkle.
The Tale of the Pie and the Patty-Pan—Duchess the dog wishes to visit her friend Ribby the cat, who has invited her to dinner. When Duchess realizes that Ribby will probably give her a mouse pie, she decides to replace it with her own pie since she dislikes mice.
The Tale of Mr. Jeremy Fisher—Mr. Jeremy Fisher is a frog who wishes to go fishing; unfortunately, for someone of his size this is much more difficult than it looks.
The Story of a Fierce Bad Rabbit & The Story of Miss Moppet—These are two stories for very young children; the first is about a rabbit who mistreats one of his peers, and the second is about a kitten chasing a mouse.
The Tale of Tom Kitten—Tom Kitten, Mittens, and Moppet are kittens who lose their nice clothing to several ducks.
The Tale of Jemima Puddle-Duck—Jemima wishes to warm her own eggs rather than have a farmer take over for her. As she looks for a suitable place to have her eggs, she is fooled by a fox.
The Tale of Samuel Whiskers or The Roly-Poly Pudding— Tom Kitten, who does not wish to be shut away while his mother is baking, climbs into a passageway accessed by the chimney, where he gets capture by rats who want to eat him in a pudding.
The Tale of the Flopsy Bunnies—Benjamin Bunny and his wife Flopsy Bunny have numerous children to feed, and thus look to McGregor’s garden.
The Tale of Ginger and Pickles—Ginger and Pickles together own a store, which is quite popular as it allows its customers to use credit. Unfortunately, no one ever pays their credit so the shop must close. This tale is rather forgettable.
The Tale of Mrs. Tittlemouse—Mrs. Tittlemouse wants to keep her house clean, a task that’s difficult given her many “uninvited guests.”
The Tale of Timmy Tiptoes—Timmy Tiptoes is a squirrel who, accompanied by his wife Goody, gathers nuts for the winter.
The Tale of Mr. Tod—Mr. Tod (a fox) and Tommy Brock (a badger) cause plenty of trouble for the other residents of their woodland home. When Tommy Brock kidnaps Benjamin and Flopsy Bunny’s children for supper, these two “unpleasant neighbors” are brought to a confrontation.
The Tale of Pigling Bland—Pigling Bland is to go to the market, but after getting lost on the way finds himself at a farmhouse where he meets fellow pig Pig-Wig.
Appley Dapply’s Nursery Rhymes & Cecily Parsley’s Nursery Rhymes—Two collections of nursery rhymes, which are quite recognizable.
The Tale of Johnny Town-Mouse—Timmy Willie is a mouse who lives in a garden, but accidentally finds himself in the city where he meets Johnny Town-Mouse.
The Tale of Little Pig Robinson—The only longer piece of fiction in this book, this is a look at the origin of the pig in “The Owl and the Pussycat.”

From Cecily Parsley’s Nursery Rhymes:
We have a little garden,
A garden of our own,
And every day we water there
The seeds that we have sown.

We love our little garden,
And tend it with such care,
You will not find a faded leaf
Or a blighted blossom there.



#41 3 months ago

A Fall of Moondust

Author: Arthur C. Clarke
Review: September 06, 2009
Edition: 1974 printing
Pages: 215
Overall Rating: 4/5 [Good]
Synopsis: The ship Selene cruises a cavity filled with dust over the moon’s surface, providing a tourist attraction for visitors to the barren satellite. However, an unexpected geological anomaly sends the ship, its crew members, and its passengers sinking into the lunar dust and into a crisis that humanity has never had to face on the moon…Now twenty-two people are stranded and invisible in a hostile setting, hoping for help to find them.
Strengths: Strong writing, reasonably good pacing, beautiful execution.
Weaknesses: Characters are somewhat over-simplified.
Further Review: A Fall of Moondust is a rich, exciting read that covers natural disaster in an alien setting. What’s most commendable in this novel is the way Clarke addresses not only those who are in the crisis themselves, but also everyone involved: the scientists and engineers whose task it is to locate and save the victims of a quake on the moon’s surface, the news reporters who cover the progress of the entire ordeal, and those outside of the event who are hoping and waiting for the victims to overcome their obstacles. Furthermore, the nature of the crisis continues to change throughout the book—-it isn’t a static problem, it’s one in which new complications arise constantly. This book is truly involving and exciting, and personally my expectations were not only fulfilled but surpassed. I’ll be honest: I was dubious in how a book of this nature could credibly extend beyond two hundred pages, but Clarke’s attention to detail makes this book an experience in itself, and surprisingly fast-paced, exciting, and emotionally-involving.

Aside from the wide cast of characters who are brought into the story to give each angle of the plot a voice, Clarke’s narrative voice is amazing. He captures a very human feeling in this story, one that connects man not only with each other but also with his earth. His passages inspire a sense of home, that this is our earth, or our moon, or our solar system; his careful attention to human emotions (which are somewhat wasted on the over-simplified characters) creates a strong feeling of atmosphere and community at the same time. Clarke also manages something a lot of “sci-fi” authors ignore, and that is that he pays attention to the setting—-he captures the differences between Earth and the moon starkly, and allows these differences to affect his characters and his writing.
It was hard to recognize the familiar constellations among this multitude of stars. The eye became entangled in patterns never seen from Earth, and lost itself in a glittering maze of clusters and nebulae. In all that resplendent panorama, there was only one unmistakable landmark—-the dazzling beacon of Venus, far outshining all other heavenly bodies, heralding the approach of dawn.
Though he had only a sketchy knowledge of the Moon’s geography, he could recognize at a glance the great craters of Archimedes and Plato, Aristillus and Eudoxus, the dark scar of the Alpine Valley, and the solitary pyramid of Pico, casting its long shadow across the plain.

Unfortunately, the characters sometimes feel one-dimensional, particular Mr. Radley, although I won’t provide too many details in order to avoid spoilers. This is my only real complaint with the novel, that and the rather unsatisfying development of the relationship between Pat and Sue. Of the characters, my favorite is definitely the brilliant, arrogant, and antisocial scientist Tom who humorously finds his element in grilling pseudo-scientists in interviews over broadcast.
Overall, Clarke’s execution of a rather straight-forward plot leads to the creation of a touching, memorable story and a book that I hope to revisit in the future.


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