Creative Heart’s dilligence and dedication are inspiring.
Lately I’ve had to diversify my work in order to make ends meet and it’s really eaten into my free-form, near-infinite practice time. Now I need to apply more structure and dicipline to make the shorter hours availible both productive and enjoyable,(since that’s the point). Your prolific posts are helping to keep me motivated, thanks, “cheers”!
In the interest of “flexing” what I’ve learned so far while improving my “spontaneous” repertoire, (or playing something without dragging my laptop or music stand around)I’m doing auto-transposition exercises…taking songs and 1. using the transpose “button” to change key and working one song through all keys, 2. working through different voicings on the chords, 3. working different octavization progressions, 4. playing the tune in one key while reading it in another so I can develop the ability to accomodate any vocal lead, 5. playing along with the recording using complimentary voicings, scalar riffs, and experimenting with harmonizing in complimentary keys, (like the idigo girls do).
(postscript: reading this back it sounds kind of like a verbiose way of saying, “just playing around”, perhaps that’s what Earl Hooker meant by “messing with the blues”)
All the while ruminating on the spectrum between, and the overlapping of precision and improvisation.
Of course this, with me running all over with work, must be taken in small time slots but I wrote it down just so I can sit down and not wonder: “ok what the hell am I doing?”.
