memorize poetry

I used to have no patience for poetry. Now I love it, thanks to a verifiably insane English professor and Everyman’s Library, which publishes many poetry collections that are WONDERFUL and also the size of my hand. I found the Ashbery in their Poems of New York, and the O’Hara in their collection of beat poetry. I love them because they are so plain, so unpretentious, and so clever without trying. One of my favorite O’Hara lines: “But how can you really care if anybody gets it, or gets what it means, or if it improves them? Improves them for what? Death?”

“A Sedentary Existence”
John Ashbery

Sometimes you overhear them discussing it:
the truth – that thing I thought I was telling.
What could it have been that I said?
To be more or less like other men and women
and then to not be at all – it’s

like writing a book that is both beautiful and
disgusting.
Because we can’t do it now. Yet this space
between me and what I had to say
is inspiring. There’s a freshness
to the air; the crowds on Fifth Avenue
are pertinent, and the days up ahead,
still formless, unseen.

To be more or less unravelling
one’s own kindness, noting
the look on others’ faces, why
that’s the ticket. It is all the expression
of today, and you know how we keep an eye on

today. It left on a speeding ship.

“Having a Coke With You”
Frank O’Hara

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

First I want to work on Ophelia’s lines from Hamlet.

O, what a noble mind is here o’erthrown!
The courtier’s, soldier’s, scholar’s, eye, tongue, sword;
The expectancy and rose of the fair state,
The glass of fashion and the mould of form,
The observed of all observers, quite, quite down!
And I, of ladies most deject and wretched,
That suck’d the honey of his music vows,
Now see that noble and most sovereign reason,
Like sweet bells jangled, out of tune and harsh;
That unmatch’d form and feature of blown youth
Blasted with ecstasy: O, woe is me,
To have seen what I have seen, see what I see!

Theodore Roethke’s The Waking, Ariel’s little song from the Tempest, and Stopping by woods on a snowy evening by Robert Frost… always loved these poems, and I think they were also easier to memorize because of their structure. (I still tend to repeat them to myself when I feel tense.) Next, maybe Fern Hill~

Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light…

First poem suggestions?

My favourites (that I can recite) are “Let me not” by Shakespeare, “I am” by John Clare, “The Listeners” by Walter de la Mare, “Mirror” by Sylvia Plath, “The Soldier” by Rupert Brooke and “Dulce et Decorum est” by Wilfred Owen.

You should definately check them out!!

We Wear the Mask, Paul Dunbar
Nothing Gold Can Stay, Frost
the first half of The Second Coming
and then bits of Stopping by Woods, etc and Blake’s The Tiger

The Question
has destroyed you.

Love, a question

I have come back to you
from thorny uncertainty.

I want you straight as
the sword or the road.

But you insist
on keeping a nook
of shadow that I do not want.

My love,
understand me,
I love all of you,
from eyes to feet, to toenails,
inside,
all the brightness, which you kept.

It is I, my love,
who knocks at your door.
It is not the ghost, it is not
the one who once stopped
at your window.
I knock down the door:
I enter your life:
I come to live in your soul:
you cannot cope with me.

You must open door to door,
you must obey me,
you must open your eyes
so that I may search in them,
you must see how I walk
with heavy steps
along all the roads
that, blind, were waiting for me.

Do not fear,
I am yours,
but
I am not the passenger or the beggar,
I am your master,
the one you were waiting for,
and now I enter
your life,
no more to leave it,
love, love, love,
but to stay.

Pablo Neruda

I Do Not Love You Except Because I Love You
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I do not love you except because I love you;

I love you only because it’s you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.

Pablo Neruda

If You Forget Me
one thing.

I want you to know

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.

Pablo Neruda