There seem to be quite a few songs in my collection that deal with death, but not always negatively. It’s odd that the emotions expressed by these songs are varied and complex. They always intrigue me and don’t depress me at all.
Probably the saddest is “Elizabeth Childers” by Richard Buckner. It’s from the album The Hill, which is a musical adaptation of the “Spoon River Anthology” (of poems) by Edgar Lee Masters. The poems are spoken in the voices of the dead from a small town, telling the stories of their passing. “Elizabeth Childers” is in the voice of a mother speaking to the child that died with her during birth:
_Dead with my death!
Not knowing Breath,
though you tried so hard,
With a heart that beat
when you lived with me,
And stopped when you
left me for Life._
The song aches with sorrow, but there’s also the tired relief of someone who did not have a good life and is thankful that her child was spared life’s pain. She reassures the child:
Death is better than life.
Continuing the theme of infant mortality, “Leslie Ann Levine” by The Decemberists is an angry diatribe from the ghost of a girl who died shortly after birth:
_My name is Leslie Ann Levine
My mother birthed me in a dry ravine.
My mother birthed me far too soon.
Born at nine and dead at noon._
She haunts the rooftops near where she died and blames her irresponsible mother for her condition, even though she still clings to her petticoats – again the mother died with the child – shaking a rattle made out of a bone. However, she found the energy to be diverted by a crush on a young chimney sweep who died on the job. It’s a very catchy tune though, despite the subject matter.
Probably the most uplifting song about death is a love song by Iron and Wine called “Naked As We Came”. The song expresses the joy at the thought of two people growing old together, even though one inevitably has to die first:
_One of us will die inside these arms,
eyes wide open, naked as we came.
One will spread our ashes round the yard_.
Quite lovely actually.
Finally, XTC explodes in exuberant paganism by celebrating love and decay in “The Wheel and the Maypole”. It’s really two songs, the first a song of sexual proposition using the most bizarre collection of double entendres, and the second an ode to entropy:
_…everything decays.
Forest tumbles down to make the soil.
Planets fall apart,
Just to feed the stars and stuff their larders._
_And what made me think we’re any better,
And what made me think we’d last forever.
Was i so naive?
Of course it all unweaves._
I really enjoy the pagan themes that Andy Partridge plays with in many of his songs. But I have a special affection for this one. How can you go wrong with a line like
Maypole, you’ve spun me round and knocked me off my axis mundi
I confess I had to look that up. An axis mundi is the place where heaven and earth meet – a geographical location in some religions.
I don’t know what this obsession with mortality is all about. Two of my favourite shows in recent memory are Six Feet Under and Dead Like Me. Maybe it all makes me less afraid of death. Not too sure. I am losing my curiosity about what, if anything, happens after death. I’m beginning to feel that the actual event will just be a change for me, rather than an ending. It requires more thought.