Here was my category at the beginning:
1. Dead Until Dark by Charlaine Harris (Made into HBO’s True Blod)
2. Essential Fantastic Four, Vol. 1 by Stan Lee (Fantastic Four Movie)
3. From Hell by Alan Moore (From Hell – starring Johnny Depp!)
4. A History of Violence by John Wagner (A History of Violence – with Viggo “Hot Ranger Dude” Mortinson)
5. Belle de Jour (Showtime’s Secret Diary of a Call Girl)
6. The Virgin Suicides by Jeffrey Eugenides (The Virgin Suicides starring Kirstin Dunst)
7. Anonymous Rex by Eric Garcia (A SciFi Channel Movie!)
8. Darkly Dreaming Dexter by Jeff Lindsay (Showtime’s Dexter)
9. Dearly Devoted Dexter by Jeff Lindsay (Showtime’s Dester)
No.7 was on another list at the time – TBR too long (I was going to double-dip a few books across categories at first and then decided I didn’t want to do that). I moved The Golden Compass by Philip Pullman into it’s place from my YA list so I could put another YA book on that list.
In terms of “best,” that’s always a loaded question with Made Into a Movie/TV Show. First, there are the questions of good adaptations -
From Hell & The Virgin Suicides had their stories largely held in place (there were still changes), but these were the strongest adaptations. There were huge portions you recognized right on screen.
Dexter, True Blood and A History of Violence, while adapted had major changes. At the same time, the adaptations have become very good things on their own. In the case of a History of Violence, a straight adaptation would have been impossible. At the same time, you recognize some scenes on screen, but you definitely know most of things are being constructed from whole cloth.
The Golden Compass had major elements, but also had major changes that I’d consider nearly unacceptable. In some cases, the changes were necessary (philosophy does not translate well), but in others it was just done to push a sequel forward. A sequel that was already written – so some studio guy had obviously put in his 2 cents. And didn’t worry he was changing a major plot element.
In the case of the Fantastic Four and Belle de Jour, I’ll tell you that there were characters that had the same name. Some events may have had some similarity to the film events. Outside of that, these are the ones where I wonder why they even bother with source material. Sure, with Fantastic Four, I realize they want the comic crowd (and that’s a whole different kind of hot mess), but with a book like Belle de Jour, I wonder what the point even is. Why not write a series about a hooker instead? I guess the “based on a true story” must help – even though it bares no resemblance.
As far as books go, Jeffrey Eugenides wins hands-down. He’s a new favorite. Beautiful book.