share my favourite poems

When I think of her sparkling face
And of her body that rocked this way and that,
When I think of her laughter,
Her jubilance that filled me,
It’s a wonder I’m not gone mad.

She is away and I cannot do what I want.
Other faces pale when I get close.
She is away and I cannot breathe her in.

The space her leaving has created
I have attempted to fill
With bodies that numbed upon touching,
Among them I expected her opposite,
And found only forgeries.

Her wholeness I know to be a fiction of my making,
Still I cannot dismiss the longing for her;
It is a craving for sensation new flesh
Cannot wholly calm or cancel,
It is perhaps for more than her.

At night above the parks the stars are swarming.
The streets are thick with nostalgia;
I move through senseless routine and insensitive chatter
As if her going did not matter.
She is away and I cannot breathe her in.
I am ill simply through wanting her.

- Brian Patten

I sampled the smooth skin
she had been sentenced
with.

Her Elysian arse slipped
silently onto the mattress,
moulding her flesh
which
rippled
on a
sanguine
sea.

Our tongues touched.

In unison
we spelt out our lurid dreams:
our schemes of fucking, drunk
and damaged
by a cocktail of cocaine
and cannabis.
Here was heaven.

I kissed her breasts,
glistening
in the shards
of moonlight
that cut through
the sliver
of glass between the curtains
and slowly savoured

her summer screen
of perfumed
oils.

- Ian Stewart

PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours only nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return,
I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.

- Walt Whitman

Don’t talk to me of love. I’ve had an earful
And I get tearful when I’ve downed a drink or two.
I’m one of your talking wounded.
I’m a hostage. I’m maroonded.
But I’m in Paris with you.

Yes, I’m angry at the way I’ve been bamboozled
And resentful at the mess that I’ve been through.
I admit I’m on the rebound
And I don’t care where are we bound.
I’m in Paris with you.

Do you mind if we do not go to the Louvre,
If we say sod off to sodding Notre Dame
If we skip the champs Elysees
And remain here in this sleazy
Old hotel room
Doing this or that
To what and whom
Learning who you are,
Learning what I am.

Don’t talk to me of love. Let’s talk of Paris,
The little bit of Paris in our view.
There’s that crack across the ceiling
And the hotel walls are peeling
And I’m in Paris with you.

Don’t talk to me of love. Let’s talk of Paris.
I’m in Paris with the slightest thing you do.
I’m in Paris with your eyes, your mouth,
I’m in Paris with…..all points south.
Am I embarrassing you?
I’m in Paris with you.

- James Fenton

I asked God if it was okay to be melodramatic
and she said yes
I asked her if it was okay to be short
and she said it sure is
I asked her if I could wear nail polish
or not wear nail polish
and she said honey
she calls me that sometimes
she said you can do just exactly
what you want to
Thanks God I said
And is it even okay if I don’t paragraph
my letters
Sweetcakes God said
who knows where she picked that up
what I’m telling you is
Yes Yes Yes

- Kaylin Haught

On Waterloo Bridge where we said our goodbyes,
the weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I’ve fallen in love

On Waterloo Bridge I am trying to think:
This is nothing. you’re high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?

On Waterloo Bridge with the wind in my hair
I am tempted to skip. You’re a fool. I don’t care.
the head does its best but the heart is the boss-
I admit it before I am halfway across

- Wendy Cope

it’s 1962 March 28th
I’m sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don’t like
comparing nightfall to a tired bird

I didn’t know I loved the earth
can someone who hasn’t worked the earth love it
I’ve never worked the earth
it must be my only Platonic love

and here I’ve loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can’t wash in the same river even once
I know the river will bring new lights you’ll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
and will trouble those after me
I know all this has been said a thousand times before
and will be said after me

I didn’t know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn’t know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
“the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
lover like a young tree. . .
I blow stately mansions sky-high”
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief
to a pine bough for luck

I never knew I loved roads
even the asphalt kind
Vera’s behind the wheel we’re driving from Moscow to the Crimea
Koktebele
formerly “Goktepé ili” in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
when I was eighteen
apart from my life I didn’t have anything in the wagon they could take
and at eighteen our lives are what we value least
I’ve written this somewhere before
wading through a dark muddy street I’m going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
going to the shadow play
Ramazan night in Istanbul holding his grandfather’s hand
his grandfather has on a fez and is wearing the fur coat
with a sable collar over his robe
and there’s a lantern in the servant’s hand
and I can’t contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn’t know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars
I love them too
whether I’m floored watching them from below
or whether I’m flying at their side

I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don’t
be upset comrades but nonfigurative shall we say or abstract
well some of them looked just like such paintings which is to
say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn’t know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren’t about to paint it that way
I didn’t know I loved the sea
except the Sea of Azov
or how much

I didn’t know I loved clouds
whether I’m under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it

I didn’t know I liked rain
whether it falls like a fine net or splatters against the glass my
heart leaves me tangled up in a net or trapped inside a drop
and takes off for uncharted countries I didn’t know I loved
rain but why did I suddenly discover all these passions sitting
by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I’m half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn’t know I loved sparks
I didn’t know I loved so many things and I had to wait until sixty
to find it out sitting by the window on the Prague-Berlin train
watching the world disappear as if on a journey of no return

19 April 1962
Moscow

- Nazim Hikmet

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh … And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new

- e.e. cummings

The things about you I appreciate
May seem indelicate:
I’d like to find you in the shower
And chase the soap for half an hour.
I’d like to have you in my power
And see your eyes dilate.
I’d like to have your back to scour
And other parts to lubricate.
Sometimes I feel it is my fate
To chase you screaming up a tower
Or make you cower
By asking you to differentiate
Nietzsche from Schopenhauer.
I’d like successfully to guess your weight
And win you at a fete.
I’d like to offer you a flower.

I like the hair upon your shoulders,
Falling like water over boulders.
I like the shoulders, too: they are essential.
Your collar-bones have great potential
(I’d like all your particulars in folders
Marked Confidential).

I like your cheeks, I like your nose,
I like the way your lips disclose
The neat arrangement f your teeth
(Half above and half beneath)
In rows.
I like your eyes, I like their fringes.
The way they focus on me gives me twinges.
Your upper arms drive me berserk.
I like the way your elbows work,
On hinges.

I like your wrists, I like your glands,
I like the fingers on your hands.
I’d like to teach them how to count,
And certain things we might exchange,
Something familiar for something strange.
I’d like to give you just the right amount
And get some change.

I like it when you tilt your cheek up.
I like the way you nod and hold a teacup.
I like your legs when you unwind them.
Even in trousers I don’t mind them.
I like each softly-moulded kneecap.
I like the little crease behind them.
I’d always know, without recap,
Where to find them.

I like the sculpture of your ears.
I like the way your profile disappears
Whenever you decide to turn and face me.
I’d like to cross two hemispheres
And have you chase me.
I’d like to smuggle you across frontiers
Or sail with you at night into Tangiers.
I’d like you to embrace me.

I’d like to see you ironing your skirt
And cancelling other dates.
I’d like to button up your shirt.
I like the way your chest inflates.
I’d like to soothe you when you’re hurt
Or frightened senseless by invertebrates.

I’d like you even if you were malign
And had a yen for sudden homicide.
I’d let you put insecticide
Into my wine.
I’d even like you if you were the Bride of Frankenstein
Or something ghoulish out of Mamoulian’s Jekyll and Hyde.
I’d even like you as my Julian
Of Norwich or Cathleen ni Houlihan.
How melodramatic
If you were something muttering in attics
Like Mrs Rochester or a student of Boolean mathematics.
You are the end of self-abuse.
You are the eternal feminine.
I’d like to find a good excuse
To call on you and find you in.
I’d like to put my hand beneath your chin.
And see you grin.
I’d like to taste your Charlotte Russe,
I’d like to feel my lips upon your skin,
I’d like to make you reproduce.
I’d like you in my confidence.
I’d like to be your second look.
I’d like to let you try the French Defence
And mate you with my rook.
I’d like to be your preference
And hence
I’d like to be around when you unhook.
I’d like to be your only audience,
The final name in your appointment book,
Your future tense.

- John Fuller

I crave your mouth, your voice, your hair.
Silent, starving I prowl through the streets.
Bread does not nourish me, dawn disquiets me,
I search the liquid sound of your steps all day.
I hunger for your sleek laugh,
For your hands the color of the wild grain,
I hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.

I want to eat the sunbeam flaring in your loveliness,
The nose, sovereign of your arrogant face,
I want to eat the fleeting shade of your lashes,

And I walk hungry, smelling the twilight
Looking for you, for your hot heart,
Like a puma in the barren wilderness.

- Pablo Neruda