write interactive fiction

Share step-by-step deadlines with your friends and ultimately perhaps even meet other local IF enthusiasts!

http://instamatique.com/if/

Feb 15th – March 15th

If you can tell a story in grammatically correct English, it’s eminently likely you can make a game. It’s that easy. (Maybe not a /great/ game, but, well, that’s a different goal, isn’t it? Baby steps, now!)

My suspicion is that its pseudo-natural language may actually get in the way of implementing trickier puzzly things, but for the meat and potatoes of text adventure games, it should now be possible to do >80% of the fundamental work by stream-of-consciousness conversationally relaying instructions to the computer off the top of your head through voice recognition software while engaged in other tasks. When the tools become this easy, our only excuse for not producing is creative bankruptcy—and everyone’s got a “My Apartment” game in them somewhere!

lowers many of the presumed obstacles in the path of those of us with this goal more inclined toward writing than programming… and is likely worth the while to read up on.

Instead I comb through old games for all-text data files to dump and re-implement as choose-your-own-adventure batch files. A grand leap back!

I really like the idea of IF, but I don’t have any stories inside me that are waiting to be told. Fortunately, I met this really great person who has published novels and we want to do a short-story using IF sometime in the early fall. I am so looking forward to this!

i don’t you about you, but i’m impressed.

I have the Inform designers manual and have a good enough grasp of the language to get me started and to work out the more complicated bits as required. Programming is not the problem, writing is. Its incredibly difficult to write something which is both interesting and interactive. While I don’t mind rail-roading the player slightly (a la Photopia) they still need the drive to advance the plot in a consistent manner. Puzzles (If there will be puzzles) must be logical, both in terms of solution and integration into the game world and plot. I also need to play more IF, I’ve slipped recently due to time constraints.

Plenty of people will say that they want to write a book without being able to tell you what it would be about, thinking that maybe they could just fire off stream-of-consciousness and eventually something might hopefully take form. IF doesn’t really permit that, but fortunately most people arrive at this goal with more in mind than “Hello, world! You are in: a place. There is: some stuff here. There also might be: an exit to somewhere else.”

As long as you can establish even just a setting, you may find many of the other necessary elements falling into place, the milieu suggesting characters and modes of interaction with them, puzzles to suit appropriate (or glaringly nonbelonging) potential inventory items or room descriptions, and hopefully… some sort of story to bring it all together. (Maybe even a title!)

Of course, game design seems like the most key element when you don’t have one yet; rather than making implementation the next step, it may be worth your while to revise the design and weed out great ideas whose workings aren’t going to be worth your time figuring out. (“I’ve got this great recursion problem where the player ends up in a room that’s actually /in his own pocket/ with giant-sized versions of his own inventory items! But what happens when he looks into his own inventory and tries to remove himself?”)

IF is such a part of me that it’s not going to go away, but I’ve been trying and failing to produce IF for the last five years, I need to realise when I’m not achieving something.

I one day hope to write a definintive work of IF that has some great, original ideas that people will play and say, “Wow, how did we ever write text adventures without that??” The plot will be deep and cohesive, the puzzles intricate, the audience wide… The look will be one that has never been seen before, and the coding will be flawless. My past IF work has received some interesting comments from various people, and I think I can overcome previous flaws and come up with something very inspiring.

I’ve written a couple of games, but I’ve not finished anything new since 2000 and I really want to write a decent full-length game using the Platypus library.

At least I’ve got as far as writing a scene manager.